I Sugar the Bones vader Rilke wilde geen ‘gebeden’ meer

Rilke wilde geen ‘gebeden’ meer zoals in Het getijdenboek en ook geen impressionistische schetsen van stemmingen zoals hier en daar nog in Das Buch der Bilder

queer voice grappling with the intricacies of (un)belonging and identity

and his emotional visit home after a thirteen-year separation (“the mother tongue has deepened my foreignness”)

no subject is overlooked: Milij Balakirev

door hun directheid en toegankelijkheid velen weten te raken

I Sugar the Bones vader Rilke wilde geen ‘gebeden’ meerJuana Adcock Through the porosity of the US Mexico border, Freudian slippages, and toxic relationships, poet Juana Adcock interrogates what it means to cross from one country into another the gradient spaces that inhabit the nexus between life and death, and the people and languages that sit either side of it. Ghostly glitches, the role of rivers, and the character of Lisa Simpson as voiced for the Latin American market all empower I Sugar the Bones